I’ve finished Part 1 of 914 and I’m pretty happy with it.
It seems our friends at Amazon’s KDP have given up on their MOBI file in favor of their new creation, KPF. For a writer, KPF is just the latest hurdle on the journey to getting what our work onto the KDP platform, but who am I to complain?
Then I thought of something. I composed 914 in my usual app, Apple Notes. Then, after reading about the demise of MOBI on March 18 I noticed that KDP will grudgingly accept an EPUB file. I recalled Apple’s Pages allowed for export to EPUB so I decided to export to Pages and then to EPUB. Part 1 of 914 is long for a short story (about 6,000 words) but simple in terms of layout. There are no sections or chapter headings and I don’t care much about widows and orphans for something that won’t appear on paper until my entire short story collection is done. So, I dumped the 914 copy into Pages, worked out pagination and a header, and now I’m down to editing. If the resulting file is really cool with the wise algos at KDP then I’m cool, too.
I had some ideas about the cover but I really don’t want to spend too much time on it. 914 is only one of a collection of short stories I decided to publish by itself. Why not? There’s no downside and it seems wise to keep up with how KDP’s machinery works as well as I can. Enter ChatGPT. Chat is all in and came up with two promising ideas in the snap of the finger. After I made a few corrections Chat said:
Great choice! I’ll modify the image to include a classic blue-and-yellow California plate with a slightly obscured number while keeping the overall aesthetic intact. I’ll get that done and share it with you shortly. I’ll start working on the modifications now. Once it’s ready, I’ll share the updated version with you.
And then, nothing. When I reached out this morning to check progress Chat said:
Good morning! I haven’t started editing the image yet, but I’ll get to work on it now. I’ll update you as soon as it’s ready!
At least he’s positive and enthusiastic. Who knew working with AI would feel exactly the same as working with a living, breathing artist?
It’s been a long time since I’ve seen a Honda Civic Wagon from the mid to late 1980s. It’s it was slick and aero to the original Civic Wagon was square and boxy.
It is said that the Chrysler PT Cruiser was based on the Civic’s functionality though obviously not on the Honda’s looks.
That the Civic was a better and more practical car, there’s no doubt. And I will say no more about the PT Cruiser. It is best forgotten.
No, this is about the Civic Wagon I saw today. I wanted to take a photo of it but somehow it felt too intrusive.
It was, spectacular.
It was in Ventura and it was white. There was a single surfboard on a nicely done roof rack. I could see there had been some “modifications“ on the inside. The backseat was gone and the passenger seat had its seat back removed. I could see two long fishing poles going from the front to the back where a passenger, in a different time and place, might have sat.
I wondered to myself, who owns this?
Other than the roof rack, it appeared all original. The rims were steel Honda 13 inchers and the minuscule tires looked better suited to a golf cart.
I just had to see who owned it. I thought that I knew exactly what he looked like, but I had to see him for myself. And then there he was. He was probably a little younger than me but he managed to look older. He was lean and gray with a hat on his head and to-the-knees board shorts. He loaded something into the back before getting into the driver’s seat.
The little Honda, of course, started instantly and ran smoothly, like any Civic. As he pulled out of the driveway, I could see his rear license plate, a California plate, of course, was even more faded than the car’s paint.
Both owner and car were spectacularly OG and legit. Yes, there is a part of me that wishes I had taken a photo of the both of them. Who knows, he may have enjoyed the attention. On the other hand, it would feel, to me, like disturbing a wild animal in its natural habitat. Who knows? Maybe the windows, which were all rolled down, still rolled up? As if it matters.
They don’t make cars, or even many guys, like that anymore; full of purpose and devoid of pretense.
Great. I’m already amending my thesis. You do not suck because of your swing. If you have a handicap between 12 and +1. The fact is you don’t suck at all compared to most people who consider themselves golfers let alone those non-golfers who know you play. No, to them you’re already good. It’s only you who thinks you suck and believes that if your swing was better you’d be better.
II Your game will not be helped by a fitting session, no matter how expert.
Your game will not improve because of a new driver, fitted shaft or fresh wedges. Flightscope is not your friend or your savior. It’s a pusher. Avoid being an addict.
III If you have been playing for more than 5-7 years, and you are over 45 years of age, you are probably done improving.
Live with it. Embrace it even. Sorry to burst your bubble but you’re also not going to become a faster runner. Consciousness of limitation is not causal to a limitation on your enjoyment of golf or any pastime.
IV The rare, rare, rare exceptions to point III prove the point.
Feel free to rub my nose in it. Send me stories about all the 45+ year olds you know whose handicaps have dropped from 10 to 5 or 4-2.
I’m waiting.
V Here’s an old relationship rule that applies perfectly to golf.
If you’re in a challenging personal relationship ask yourself this: If nothing gets better, would you still continue with the relationship? The genius of this question is this: If you can hang in there with no improvement, any improvement will make the relationship (and your life) better and more enriching. Imagine how happy you would be about your golf game if you adopted this mindset.
VI The golf industry is not youand you are not the golf industry.
Why does this obvious fact matter? Because it should not matter to you how far the very best players in the world hit the ball or even the equipment they sometimes use but always endorse. Their spin rates shouldn’t matter nor should any other specification of their performance.
VII Last year I attended the Women’s US Am at Bel Air CC.
I overheard no fewer than three men muse about the distances the top four players achieved off the tee.
Each said a variation of, “You know, they’re so smooth and their clubs are totally matched to their games.”
As if…
Finally, loosened by SoCal sunshine and two on-course beers I spoke up.
“That’s totally wrong but you won’t like the truth.”
Incredulous male golf fan: “Oh really, and what’s the truth?”
“The truth is that the four players on the course today are elite athletes. You and I are not.”
VIII You suffer because of denial and a lack of honesty about your golf goals.
Today I asked a good friend who is a superb athlete about his golf goals for the rest of the year and beyond. He spoke of a battle with the course and a battle with himself. I thought to myself; what happens when we are battling ourselves? I think all of us, the yin and yang and the golfer, lose.
IX For the professional and the high-level amateur golf is a battle, with an opponent and the field.
Amateurs should celebrate their general freedom from these battles. They should celebrate the game for the sake of the game. Being outdoors for the simple joy of being outdoors and the fun of spending time with their companions.
To quote Jones, “Golf is a game best enjoyed with the convivial companionship of close friends and loved ones.”
Amen, Emperor Jones.
X Detoxing from golf is unlikely not impossible.
I’ve found my golf detox through another game that (so far) eschews unreasonable expectations, a game that emphasizes playing the game rather than a discrete athletic motion regarded in isolation. You can detox your golf game in a way that will maximize your enjoyment of the game.
The sequel to my 2019 novel, John J. McDermott & the 1971 U.S. Open, is finally for sale at Amazon.
I think I bettered the six months it took John J. McDermott & the 1971 U.S. Open to make it from finished manuscript to published but not by much. It’s a great feeling to be finished writing but a lousy one to anticipate all of the annoying steps that have to be taken before anyone can read your book.
Right now, it’s eBook only. An issue with the cover formatting undermined me at the last minute. Hopefully, you lovers of paper books will be able to grab a copy later in the week.
In the meantime, Cottonwood the eBook is waiting to be read.
Today was another exceptionally clear day. It was also an uneventful day save for the lunch get-together with my siblings. That started the day off nicely. I got to hear about what they were reading and about how their book clubs worked, in terms of what kinds of things they talked about.
There was also some chat about our upcoming family reunion in July. Eureka! continues to have Lady Face Blind Ambition for $4 so I couldn’t resist having one (and then another one). These kinds of family outings don’t last too long, no one’s prone to linger or talk about anything too amusing, so I was on my way home by 1:30, just in time for a quick hike.
Like I said, it was very clear day. Lots of folks were heading out at once so I decided to take a connector trail towards El Escorpion. Once there, I picked up a trail that I was pretty sure would link back to the Victory side. I was right, but the last third of the trail was brutally steep. Had it not been for the light, cooling breeze it may have been too much. But I made it and then found my way to Bible Rock before heading back to the main trail and my car.
Those two beers were not my friend on this hike, but I was happy to have made it out for a couple hours.
I’m getting a little antsy about the book. It’s feeling ripe and ready to publish. I’m ready to move on but circumstances won’t let me quite yet. It’s also a time of anticipation. There are always technical issues, most commonly with the EPUB or MOBI files used for the the Amazon Kindle Version.
It’s rather like the feeling of dreading impending traffic that you know you’ll hit, simply because you’re in a hurry. It makes you wonder why you’re in a hurry and then you remember.
There’s time enough but none to waste.
Tonight’s writing soundtrack is another LP. This time it’s an oldie and a scratchy one at that. It’s Paul Desmond’s That’s Jazz. It’s from 1961 and it’s pretty much the epitome of California Cool. Desmond’s playing is impeccable as always. There’s never been anyone better at this kind of stuff. His tone and articulation were effortless and he was rhythmically faultless and nimble to boot. Still, in some strange kind of way this LP reminds me that I really don’t much care for jazz anymore. The best jazz was universally played in the past and if you can’t find a reason to look ahead toward even the possibility of new and better days, a genre can really become mundane. It’s always amazing to me that these straight-laced looking guys like Desmond and Bill Evan were relentless self-abusers, Desmond with booze while Evans favored heroin and later cocaine. It makes their music perfect time capsules of another era when jazz was perfected and before its inevitable entropic decline.
Today was busy like the old days. Things rapidly came together with a new client and I had to do a phone interview and write a follow-up memo. It doesn’t sound very time consuming (it is). It also doesn’t sound especially interesting but, again, it is. Many of our clients are desperately ill. I describe myself as the tip of the arrow since I’m often the first one to really get to know a new client and their history, as well as their family.
Much of what I do is about sizing up the client in a lot of different ways. Sometimes, as it was today, it’s about getting a sense of the client’s vitality, especially his memory and mental sharpness. The client has faced a terminal diagnosis and has undergone a very risky surgical procedure with chemotherapy to follow. It is not an easy time in the life of the client or the family. The first time I spoke to this client (after his diagnosis but before his surgery) he sounded fantastic. Rather than sounding anything like a typical 80 year old he sounded 60…maybe even younger. I knew that 4 weeks after his surgery he would sound like a completely different person, and he did. But, he’s a tough guy and shows no inclination to going gentle in to this or any good night. He’s an easy guy to root for.
Recapitulating a long phone call like that is tricky. It’s a memo that’s likely to be read in haste even though it was written with great care. That’s just the way things work in this business; the best of efforts are not always appreciated for what they are, yet it’s still critical that one’s best effort is put forward. This being anything but my first rodeo, I am Ok with all of that. I sleep well knowing we’re on the right side of the cases we pursue and that there’s not a long line of people who can do what I do in quite the way I do it. All of my work today was done in no more than 3 hours but it felt much longer and took a good deal of starch out of me. There’s no getting used to speaking to the very ill shortly after a diagnosis. Feeling like an interloper or an opportunist is easy. Finding a way to always be regarded as a positive force during a very negative time for both the client and the family is an art. I’m not perfect at it, but I’m better than most, or at least I think I am.
I’ve been warned about leaving out the writing soundtrack in my posts. Sometimes I need a soundtrack but occasionally all I can stand are the clicking sound of my laptop’s keys. There’s no real formula to it though I have to say I have a much lower tolerance to audible distractions than I used to. Anyway, tonight’s soundtrack is drowning out the keyboard clicks and that’s a good thing. I’m listening to Empty Hearted Town from Warren Zevon’s posthumous (2007) record, Preludes: Rare and Unreleased Recordings. There are 16 tracks here. Some are a marginal versions of marginal songs but the track I mentioned and Tule’s Blues and Studebaker, among a handful of others, make the collection more than worthwhile. Anyway, thanks for listening.
Long story short, I did not come up with a workable idea for the ending to the story I’m considering. The fact is I didn’t spend a lot of time thinking about it today. So, I suppose my progress on the idea is directly proportional to the time expended on the task. I was busy today, at least off and on. The day didn’t feel totally wasted but except for going to the post office I was at home and working in my office from around 9 until 3. At 3 a friend of mine called and we met for a while.
That was a relief; it’s hard to spend much more time than that indoors.
Then came dinner and then came the last episode of the first part of season 4 of Ozark. It’s not my favorite show but I would say that the fourth season is the best so far. My sense is that they divided the fourth season into two parts to finish out the series this year but what the heck do I know?
I don’t have any great ambitions for tomorrow but I am hoping to be outside more. The weather is supposed to be good, if good is defined as clear and mild. There’s wind forecast for Friday. Here’s hoping they missed on that one.
Today I finished my various Crosby-Nash, CS&N, CSN&Y and Stills-Young Band LPs (Buffalo Springfield was last week). That was a relief. The three-LP CS&N Carry On present particular trouble, though I’m not sure why. I was just scattered enough mentally that I keep losing track of what I had uploaded and what I hadn’t. The cherry on the sundae was me forgetting about one side entirely and letting the record spin for hours after it was done. Nice.
Great for the record and for the stylus of the EVO 3…not.
Anyway, tomorrow’s another day. In the meantime, tonight’s writing soundtrack is another LP, Deep Sea Diver’s Impossible Weight. I really like Jessica Dobson’s voice and playing. Not every song on this record is as raw, elemental and powerful as the last one, Run Away With Me, but they’re all good enough for me to enjoy. Anyway, check out that orange vinyl and Jessica’s signature!
I had a wonderful Valentine’s Day (yes, I know it was actually yesterday) for a very simple reason. I was lucky enough to spend some of it with my valentine, at least a few hours of it. She took the whole day off, so from 10 until 3:30 we hiked and talked and enjoyed a gorgeous day. We don’t get many chances to share even part of a weekday so it was an especially rare treat.
The only problem was that our time together was all too short, as it always is.
Our time on the trail gave me a chance to think about the book idea I that occurred to me yesterday. I can see the span of time. I can see some of the interesting events but I can’t really see the story, let alone the all-important ending. My concern is that there might not be a complete story to see. The last thing I want to do is jump into a story without even knowing the ending.
No good can come from that.
So, I’m going to do a little brainstorming about how my new story might end. Since there are biographical elements it’s all too easy to imagine that the story just goes on but that won’t work with a book. If I come up with some ideas between now and tomorrow I am thinking about writing the beginning of the story as tomorrow’s post. If I don’t, I’m not going to start writing. It’s not important for my idea about the ending to be the one I end up using. It’s only important for me to have an idea, even if I eventually change the ending, before I get started.
Ideas come along when they want so this may take a while.
Reliably, my endless babbling typically goes nowhere. But today I was telling stories of another era of my life, probably for the 10th time. When I finished I found myself thinking that there could be a book in the stories I told. It would be set in the 1980s. It would be somewhat biographical and somewhat of a period piece. As an aside, I am continually disappointed by the way stories from the 70s and 80s are told in today’s television and movies.
I have no doubt that it is ever thus, but it’s still distressing. Most efforts seems so enamored with the styles of hair and clothes as to ignore entirely the differences and similarities that the era portrayed has to today. As another aside, I would cite an exception with Mad Men. Any series that could actually make a teenage girl quit watching because the relentless sexism of the series was so distressing was definitely doing a lot of things right.
Let’s just say I’m not lining up to see Licorice Pizza.
Like a lot of other folks my age are thinking (and saying), fuck that…I lived it and it was a hell of a lot more entertaining, believe me.
Anyway, my idea would go from the mid-1980s to the mid-90s, ending in the genuine purgatory I endured living in the Santa Clarita Valley.
Without realizing it, I relive that decade a lot. To paraphrase Jackson Browne, you don’t know the big reasons of your life until after they’re gone.
Wait. I also got the second concept for the cover of Cottonwood tonight. Like the first, it’s not quite in line with what I wanted, but I love it. I called a bit of a timeout since we don’t yet know the thickness of the spine. That dimension will affect how much of the cover image has to wrap around to the left. It will be give me time to choose between wonderful and wonderful.
Finally, tonight’s writing soundtrack is Poor Ellen Smith by Gillian Welch & David Rawlings from their 2020 record, All The Good Times (Are Past & Gone). Finally, tonight’s writing soundtrack is Poor Ellen Smith by Gillian Welch & David Rawlings from their 2020 record, All The Good Times (Are Past & Gone).
Today I got an email from a would-be client of mine.
I gave her an assignment a few weeks back with a two-week deadline.
Here’s her email:
Paul
I am so sorry that I have neither followed up (yet) on your wonderful suggestions not let you know. As soon as we’d spoken I did some research into the subject then got stuck with a project I need to finish ASAP. I have to make (within the next few weeks!!) enough content for one quarter from 3 or more text books on the infinite topic of History of Golf.
So, that’s what I’m killing myself doing, especially on weekends. During my work, I was so happy to come across a couple of paragraphs dedicated to your friend (thought to myself – hey I know this guy!!), and excited that it will go into my powerpoints:
In 1911, Johnny McDermott, a brash young pro from Philadelphia was addicted to gambling at golf, ended the foreign and foreign-born dominance of the U.S. Open by becoming the first American-born winner of the event. At age 19 years, 10 months, and 14 days, he is still the youngest player ever to win the U.S. Open and the second-youngest ever to win any of the four modern majors. Only Young Tom Morris, who won the British Open in 1868 at age 17, was younger. As if to prove that his victory in 1911 was no fluke, McDermott won the US Open again in 1912 at the Country Club of Buffalo, where he became the first player to shoot a sub-par score in the US Open. Unfortunately he disappeared from the golfing scene as quickly as he had appeared. In 1914, at age 23, he collapsed and suffered a nervous breakdown in the clubhouse of the Atlantic City Country Club where he was the club pro. He never recovered from the incident and spent the rest of his life in mental hospitals, rest homes, and living with family members in Philadelphia, suffering from a mental illness.
Will follow-up on your ideas soon as this job is done.
Do you go to the Genesis Invitational?
Signed, Would-Be Client
And my reply:
Dear Client
You’re lucky.
I was about to send you a friendly-reminder email.
Glad you’re busy, hoping you’re not too busy.
Yeah, I got some JJM bio stuff from the USGA’s head historian. Nice guy, tho I cannot recall his name. Oh, yeah, it’s Mike Trostel! Not all of my memory is gone, thank goodness.
What is most interesting about JJM is that there are NO authoritative contemporaneous accounts of his decline. Some sources include what you have mentioned, others say bad financial decisions preceded his illness and still others point to the trauma of surviving a near-catastrophe at sea while sailing home to the United States.
I guess this kind of vagueness is an omnipresent feature of most lives, even of some noteworthy folks like JJM. My mother was dead less than a week before her own daughter inadvertently misstated some well-known facts about my mother’s life during a eulogy.
In the back of the church I muttered to myself, “And we wonder why there are so many biographies of the same person.”
Anyway, it’s great to hear from you.
Please keep in touch and be well!
Cheers.
Paul
The italicized paragraph is about John J. McDermott, a main character in my first novel. I was especially taken that my client presented what she did as authoritative. It may have been, but I doubt it. Whether it was JJM’s life or the life of my mother, people come and go and then we set about to say what happened in their lives. Sometimes we’re right. Other times, not so much. So, the word for the day is humble, as in be humble when citing facts about the lives of others, living or not.
John J. McDermott and one of his two U.S. Open trophies
Another LP is spinning for this evening’s writing soundtrack. It’s my single favorite solo guitar record ever. It’s by one or two-off virtuoso, George Cromarty and it’s called Wind In The Heather. It is a superb pressing with some of the best and best recorded acoustic guitar I have ever heard. I need to add Cromarty to my list of missing musicians.
This is also a rare flood survivor as the stained and damaged cover show. Happily, and I mean very happily, the record itself was spared. I never even had to clean it with the Nitty Gritty. I tried to get a little too arty with the processing on this, but what can you do other than try?