I didn’t get a heck of a lot done today beyond uploading a good number of LPs. The process is time consuming. Also, it requires a kind of sustained low-level concentration to lead the lead in and lead out each side, nice and clean. At first I thought it would be entertaining to listen to all of my LPs but I end up doing other things, I even listen to other music while I’m doing it. It’s not that I don’t want to listen to the LPs it’s that I have to monitor the recording through my wired headphones since I’m using the only line-level out from my phono preamp to feed the A/D converter. My beloved Sennheisers have a nice, long cable but it’s not enough to let me move around as I’d like while monitoring the LP.
Oh well. You can’t have everything.
The downside of all the uploading was that I mismanaged my eating schedule and ended up losing most of my daily hiking time through my need to eat dinner. Muy malo. I’ve got to be better about that.
But wait, who knew…Roger Miller?
I’m sure I’m the last to know that Not in Nottingham was first sung by Roger Miller, way back in 1973, as part of the Disney’s animated version of Robin Hood.
It’s a very clean, melodic song and Miller hits it out of the park with his clean, melodic style.
But the lyrics; hmmm…
Has its ups and downs
Outnumber the downs
But not in Nottingham
I’m inclined to believe
If we were so down
We’d up and leave
We’d up and fly if we had wings for flyin’
Can’t you see the tears we’re cryin’?
Can’t there be some happiness for me?
Not in Nottingham
Man, that’s pretty much of a downer for Disney and vague to boot. Perhaps it’s a classic example of something that’s great without being good. The great without good effect is hard to grasp at first but if you think about it I’ll bet you can come up with examples of your own.
Anyway, I have not purchased the song, even though I wanted it to round out my collection of the different versions. It turns out you have to buy the entire soundtrack ($15!) just to get the song. Sorry, but no. I will say that Miller’s version is both first and best. David Hidalgo and Sean Watkins both do a admirable job but there’s simply no improving on the simple beauty, earnestness and tonality that Miller brought to the song. Apparently, I can listen to the whole dang record on Amazon music so that’s going to be good enough to for now. You can also hear the entire song on YouTube so, as is usually the case, where there’s a will there’s a way to enjoy a very unusual song that’s sung unusually well.
Thanks for reading.