The mighty Panasonic Lumix LX3 at work again. The fading sunlight illuminated the long-dead grasses of spring and summer. The oak is immense, one of the largest and likely oldest I’ve seen. It appears to have self-pruned a branch that was at least 6′ across.
Me? I love a good used camera. First of all, they’re cheap. I bought my Nikon D300 for $200. I mean, was there ever a better value in the history of the world? Second, I tend not to worry about used cameras. I always make sure the stuff I bought has seen some actual use. That way any bumps and bruises are easier to regard as marks of character rather than evidence of carelessness on my part.
The sad news is that my Fuji X100 gave up the ghost; very disappointing. Or, to channel our 45th president; sad. If I were given to complain (and I am) I would say that it’s pretty dang disappointing that Fuji is unable to fix what they regard as a professional camera that’s little more than a handful of years old. I ended up in the funny spot. Fuji could either ship back my pretty much useless X100 or I could pony up some cash and they’d sent me a brand-spankin’ new X100T.
Fine, fine, fine…here’s my credit card number.
Thing is, I knew I wasn’t going to keep the X100T. I’m kinda soured on the Fuji thing at least for now. Eventually, I may get myself another small mirrorless camera with a 1″ or m4/3 sensor but for now I’ve decided to simply toggle between my aforementioned D300 and a battle-scared old Panasonic LX3.
Sure, I used to own an LX3 (and later and LX5 and an LX7) but this little camera has me enamored for some reason.
This little camera rocks hard. I picked it up well-used over at Fred Miranda for $55. Nearest I can tell the little fellah has over 100,000 clicks on the odometer and it works perfectly. Heck, I even bought a second Panasonic battery for it; yup, I’m going all out. The neat little Leica lens is quite sharp over its entire range and the focus and metering are spot on. If Panasonic would upsize this exact camera with the same zoom range and a 1″ sensor I’d buy it.
The cool olive & black Road Runner Bags strap was supposed to be for my repaired X100 (sniff, sniff…) but I put it on the LX3 out of spite for Fuji. Like another favorite company of mine, Courier Ware, Road Runner isn’t much on self-promotion. The strap doesn’t even have their name anywhere on it…just a small label that says, Handmade in California. The webbing that Road Runner uses is very smooth on the skin and their form-follows-function-factor is admirably high. Road Runner Bags is a neat little company. All their stuff is made right here in Los Angeles and they certainly did a fine job with their first camera strap. I’m hopeful they’ll continue to work on more bags and straps for all the two-wheeled photographers out there on the streets and trails of Los Angeles.
Check their website out today and buy something.
Anyway, I enjoyed the Fuji because it was so easy to bring along. I disliked the Fuji for the same reason everyone else did. It was rather fussy, sometimes inscrutable, and the focusing was always marginal and then it got worse. How does that even happen? I also found the X100 rather fragile feeling. I don’t know if Fuji got it right with the S or the T or the F. All I know is Fuji’s naming convention for the X100 series is going to be tough for whatever follows the X100F. I’m not off Fuji forever; then again, maybe I am.
I can’t quite get my brain around how some folks are able to get along with an iPhone as their sole camera. Of course, I wear a wrist watch. Still, I do see the appeal to less is more when it comes to cameras. With the departure of the X100 and now the sale of the X100T I’m left with the LX3 and the D300.