February 7: Musicians who are missing in action

Brendan Campbell

The internet is an endlessly fascinating place. It has made finding new wonderful musicians easy and immensely satisfying. I could not begin to name all of the musicians who have crossed my path, quite by accident, over the last decade or so.

The odd thing is that occasionally one of them (or two in this case) will go missing, leaving only the music that led me to them in the first place.

The first is Brendan Campbell. He may have had another record at some point, but the only one I know of is Burgers & Murders. I’m listening to Pleiades right now. This guy is so gone that he doesn’t even have a licensing deal with iTunes anymore. I found that out when I realized that none of his songs were on my iPhone. Had they not been downloaded to my MacMini years back that music would have been gone, maybe forever.

The other musician is even more obscure. All John Danley left behind are a handful of videos. He was (is?) a wonderful finger-style player. From what I’ve been able to find he’s totally done with the whole music deal. The last reference I saw about him mentioned that he’d turned to a career in psychotherapy.

John Danley

A handful of years ago, he had a working website. What must have happened for him to let both his website’s eponymous domain and the site itself slip below the electrons of the internet? I just don’t get it. It’s just too easy and inexpensive to keep a website online to let one slip away. I actually mentioned Danley’s name to Will Ackerman a couple years back, along with a link to one of his videos. I had a kind of fantasy that Will might have recognized Danley’s talent and would want to set about using his industry connections to get him discovered, but Danley’s anonymity remains frustratingly intact.

How many more wonderful musicians am I doomed to find and lose? To put a tiny spin of optimism I could say I’m fortunate to have found Danley & Campbell at all, and that’s true. It’s always hard to keep from wanting more, I suppose.

Thanks for reading.

P.S. Had I been willing to let this post wait until tomorrow I would have done a better job. For some reason tonight the WordPress desktop app will let me do everything but write a post.

The optimist would say how lucky I am to be able write what I have on my phone.

February 7: Musicians who are missing in action

January 31: More about pCloud than you (or I) ever wanted to know

It’s true, pCloud is coming into the home stretch though I will remind you that the upload process has been very slow (but steady) at least after fooling around with the upload speeds in settings.

There were about 9,000 digital files to start. Owing to its unbelievable initial sluggishness I began to plot its progress to see if I had tossed $50 into the street (yet again).

8057 files were ready for upload on last Sunday:
7916 3:22pm Monday
7767 8:08pm Monday
6658 10:23am Tuesday
6582 2:38pm Tuesday
6442 11:57am Wednesday
6385 3:10pm Wednesday
6274 10:23am Thursday
3902 10:30am Friday
3026 11:09am Saturday
2024 12:04pm Sunday
1288 11:36pm Sunday
1018 11:19am Monday (today)

Right now, it has 50 files (6.33GB) to go but it’s stalled (which seems to happen a couple times a day). When I’m done with this post I will quit and restart which is the recipe to getting things flowing again. Check that; it’s uploading again…44 files remaining (5.87GB) estimated as an hour and thirty-seven minutes (I’m guessing around 12 hours of actual upload time).

Off and on I’ve taken look at the pCloud app, which looks like this on my iPhone:

The pCloud iOS app Home Screen

Now let me explain what I think (and I emphasize the word think) we’re looking at. First of all, the top three folders labeled My Music, My Pictures and My Videos have absolutely nothing in them. That explains why they’re at the top, doesn’t it? I am genuinely unsure if they’re intended to be placeholders or samples or just something to look at.

It’s very weird and significantly kludgy.

But wait, look below and you’ll see a green folder labeled pCloud backup. Now we’re cooking! That’s full of good stuff like what pCloud refers to both within the app and the desktop app as the MacMachine pCloud is Swiss, you know).

The whole deal looks like something AOL would have considered cutting-edge back in 2003.

As I mentioned before, once I’m done with the digital stuff I plan to add a folder called LPs to the upload. It’s good to know approximately where this will live once it’s on p’s cloud.

My hope remains that pCloud will do exactly what I want it to do when it’s all done, house my digital music in a non-Apple cloud as well as the AAC files of my LPs. I’m cautiously optimistic. If it works I’ll be more than happy to pay for a lifetime subscription which is something under $200. I’ll keep you posted.

My musical company this evening is Remembering Mountains sung by Sharon Van Etten from the 2015 record, Remembering Mountains: Unheard Songs by Karen Dalton. Unheard indeed. The record has fewer reviews (18) at Amazon than my first novel (20).

Oh well, I’ll boost the count up to 19 once I’ve penned mine. The title song is fantastic and at least two others (Don’t Make It Easy and At Last the Night Has Ended) are very good. So, here I am listening to and buying songs by a songwriter I’ve never heard of until a couple weeks ago. Who said the internet wasn’t amazing (as well as occasionally horrible, intrusive and possessed of post-apocalyptic potential?). I’m going to try to read up on Dalton. Don’t surprised if you read more about her from me soon.

January 31: More about pCloud than you (or I) ever wanted to know

Wires, Baby!

I know, it’s been a good long while. The good news is that Cottonwood, the sequel to my first novel now tips the scales at over 150,000 words. The pandemic initially quickened my productivity but in the end slowed it down significantly. Oh well, it’s only time and we all have plenty of that (he writes sardonically).

Even less interesting is the fact that I managed to lose my Apple AirPod Pros. Actually, they weren’t exactly lost. After all, the Find My app showed their last position (laying helpless and pitifull in a parking planter) but they were unable to find their way home. So, I tried other Bluetooth buds from Skullcandy, Sennheiser and Jabra but was disappointed badly each time. The AirPods were disappointing, too, I never did like the way they sounded though their feature set was impressive.

So, I’ve gone wired. I’ve decided that it’s better to battle a wire than it is to have marginal sound. I use a pair of now-discontinued Beats urbeats3 and a pair of Flares Jet2. The Beat’s rather enthusiastic bass is tamed nicely and easily via my iPhone’s EQ while their native midband and treble is surprisingly good out of the box. The Flares are more balanced overall if a little less musical (and less fun) than the Beats. Both of them whip the pants off of any of the expensive Bluetooth buds I’ve tried. I also keep a couple pair of old-school Apple buds for emergencies. Someday I may go wireless but not today. Why switch when you can fight?

Wires, Baby!

Wires, Baby!

A Quick Review of the Fifine K669B USB Microphone

Fifine

You can buy this little beauty here.

I’m grateful to Fred Greene, head honcho of the GolfSmarter podcast, for a number of things. One that I hadn’t anticipated was how much I enjoyed being interviewed by him for his podcast. Though it was a little out of my experiential-comfort zone, I really enjoyed it. I’m a born talker (as I think most writers are) but speaking formally over the course of 30 minutes is a different kind of talking than most of us are used to doing.

But, again, I liked it. I soon had the idea of doing an audio version of my golf short story, Kingdom of Dreams. I saw the effort as a study that would help me determine whether I could successfully narrate my novel, John J. McDermott & the 1971 U.S. Open.

I think I can.

Though I’m not bowled over by the quality of my narration so far the results seem workable and I’m hoping to get better as I gain experience and learn from my inevitable mistakes.

It didn’t take long to figure out I needed a microphone that was better than the built-in mics in any of my Macs or my iPhone. I asked around and did (very) little research.

A trusted podcaster I know recommended the Blue Yeti but I wasn’t all that enthusiastic about dropping $125 on something that could soon end up collecting dust on a shelf.

So, I decided on the Fifine K669B. I’m mean, it’s only $29 at Amazon and it’s Prime-eligible so there’s very little to lose.

Some of you may know I worked in high end audio for decades and have reviewed well over a hundred high end products. I’ve also been formally and informally involved of scores of recording sessions from pop to classical.

But, I’ve never actually reviewed a microphone. The more I thought about it the more I realized that something really critical to proper audio reviewing was missing.

There’s no reference.

Nearly all of the web and youtube reviews of mics compare one mic to another. I understand this temptation but the better or worse game that’s pretty much useless in evaluating playback gear is even more useless in evaluating source gear.

Why?

Let’s say it again…there’s no reference.

A given reviewer may like the way his voice sounds on Mic A instead of Mic B but that is no predictor of whether anyone else will like the sound of their voice when captured by Mic A.

A significant part of mic performance can be evaluated objectively but most reviewers confine their objective comments to describing features which is fine as far as that goes, but features do not relate directly to quality when you’re talking about audio fidelity.

So, what can I say about the Fifine? I can say it’s fine…for me. It has a fixed cardioid pattern that’s well suited to my simple needs and is truly plug & play (at least on a Mac).

Also, the little fellow is nicely put together, seemingly solid, yet not overly heavy. Some will surely complain about the captive USB cable but at least you know that if you remembered to bring the mic you also remembered the cable!

The only adjustment on the mic is for volume and I found the sensitivity to be plenty wide for my needs and is quite smooth. The volume knob has a reassuringly heavy feel and is easy to position precisely and consistently.

I found set up to be as simple as plugging the mic in and hitting record and I designate the sound quality as just dandy (I know; far too many technical terms).

For $29 there’s just nothing for me to complain about.

Lastly, the Fifine Folks appear to be very responsive at least related to their Amazon sales. This is especially impressive for such an inexpensive product and shows the company understands that early efforts related to customer service will help them build their brand over time.

Well done, Fifine. You’ve done a fantastic job with K669B.

 

A Quick Review of the Fifine K669B USB Microphone

I’m Old Fashioned…More on Flickr’s Explore

I confess.

I took a photo of food (a cocktail to be sure) and posted it to Flickr yet again. I try like hell to avoid doing stupid shit like this but I couldn’t resist. The Westlake Four Seasons serves up an excellent Old Fashioned during their Thursday Happy Hour. The angle of the dark tile under the glass looked good as did the filtered light coming across the hotel’s garden. Man, it was a good drink…so good that I had two.

When I got home I was impressed by the color, the lighting of the image and just how much the camera on the iPhone 8 can do when there’s plenty of light.

I also confess that I had a pretty strong feeling this photo would have a decent shot at getting onto the hallowed servers of Flickr’s Explore. It had a lot of the qualities I think Flickr’s algorithm looks for.

First, the title is unambiguously associated with the image. In other words, I’ll hazard that the algorithm has a dictionary that includes a list of cocktails (that obviously includes the Old Fashioned) and that the algorithm could readily correlate the discernibility of the image to the title of the image.

Second, the image was sharp, saturated and unambiguous.

Third, I used tags that localized and described it completely (down to the name and location of the hotel, the exact camera used and the fact that the Snapseed image processor was employed).

Old
I’m Old Fashioned (not really)

So, what does all this mean? Not much. As I have said before, any notion of knowing what a proprietary and very likely evolving algorithm values will never ascend beyond pure speculation. Still, the criteria I listed about are common to every photo of mine that’s gotten into Explore. In the end, we can deduce some elements of what appear to be valued criteria but there’s no way to know all of them or even to know whether any elements of a kind of computer-generated randomness are part of the process. What I do know and say with more than a touch of irony is this; none of my photos that I consider good have ever made it into Explore.

I’m Old Fashioned…More on Flickr’s Explore

My Personal Web Domain Expired (and I didn’t notice)

That’s right, and it happened over a year ago.

Sure, I could moan about the lack of notice from the domain registration company (and that’s exactly what I did when I found out). But the fact is I didn’t notice my site was down for an embarrassingly long time and it makes me wonder why I had it in the first place.

I’m impressed by people who maintain a blog, a website, a Facebook presence and who write (and read) stuff on Twitter. Don’t get me started on Instagram.

I’ve decided to let the domain go for now and maybe forever. Sure, Tom Wolfe needs his own website but the again he’s got more than a dozen novels under his belt. A man’s got to know his limitations.

On a more optimistic note, I’ve done some work on my novel and can faintly see its completion somewhere beyond the horizon. I’ve also snapped a few humble photos so let’s a take a look.

36776053366_c8253c6b60_k
Southern Sierra Foothill Sunset

35893599754_632d69bc68_k
Untitled 11: Taken east of US 395

35749600053_2063b539d4_k
Looking West: Taken just south of Independence, CA

36298723863_2995743595_o (1)
Bridge to the 9th: Soule Park Ojai, CA

36457042896_eb18cbebe1_k
Marsh & sunset

There now; aren’t those a lot more fun than reading about my expired domain?

I should hope so.

My Personal Web Domain Expired (and I didn’t notice)

The Legacy of my friend, Brooks Berdan: My REGA P3 / Sumiko Blue Point Special EVO

I have a lot of fond memories of my old friend, Brooks Berdan. In my early days as a reviewer, he was always kind enough to loan me gear for review that would have been difficult to get my hands on otherwise.

Later, when I consulted to Music Reference and Muse Electronics I learned what a truly fantastic dealer Brooks was and how hard he worked for his customers. Brooks was an unusual dealer. He had a national reputation, but did virtually no business over the phone (let alone over the internet). Brooks was the rare dealer who wanted and even needed to know his customers before he would do business with them, let alone separate them from their money.

Brooks loved tube gear and faithfully represented Music Reference and RAM Tubes like no other dealer in the US. His loyalty had its perks. Very often, I would hand deliver his orders directly from Santa Barbara, especially when he was ordering a lot of tubes or a one-off product like a hand-made RM-9 Special Edition.

Of course, hanging with Brooks was a special pleasure. We could talk music, or gear, or motorcycles, or the challenges of making a marriage work, for hours at a time, and we usually did. Back in 2003, when I was going through my divorce, I dropped by Brooks’ shop one afternoon. I was giving him the summary version of where things were and mentioned, in passing, that it had become tough to write reviews since I hadn’t taken my analog rig when I had moved out of the house. Brooks looked up from what he was doing and asked me what I needed. I told him I could get along fine with a simple set up and that the Kuzma Stabi and Dynavector XL that was back in Santa Clarita were loaners from the distributor anyway.

Without a word, Brooks vanished into his storeroom and emerged with a boxed REGA P3 under his arm. Brooks asked me if I liked Sumiko Blue Point Special EVO. I told him I’d never been a huge fan of the original but had never heard the naked EVO version. “Well,” Brooks said, “try it. It’s a lot better than the old one. If you don’t like it you can always try something else.”

Up until that point, I figured Brooks was setting up the REGA for a customer, or as a demo, but I realized he was building it for me. “You know, Brooks, cash is a little tight right now; this whole divorce thing doesn’t come cheap.” Brooks shook his head. “Don’t worry about it, pay me when you can.”

For the next hour, Brooks lovingly set up the REGA and the Sumiko. He did his work with a level of care that would seldom be afforded to such modest gear, but that was Brooks. For him, it didn’t matter if he was setting up an SPj La Luce or a REGA. He always took his work very seriously.

When he was done I said, “Thank you, Brooksy; what do I owe you?” “Don’t worry about it, just send me what you can when you can.” “Brooks, come on, I’m not that hard up, what do I owe you?”

Grudgingly, Brooks got out his price sheets and said, “OK, my cost on this is like $600, so send me a check for $500 when you can. Make the check for more than that and I won’t cash it.” Then, Brooks looked at the REGA and said, “Divorce is hard. You know what I’d like to ask my ex? Was I really that bad?”

I don’t have a guess about what Brooks was like as a husband, but I know he was much more than a business associate to me, he was a friend. On that day, I had no intention of asking Brooks to help me out. It turned out I didn’t need to, Brooks was the kind of man to recognize a friend in need and would do what he could to to help.

The other day, I was thinking about that now-aged REGA, and how the decade had just flown by me like a breeze. I miss not playing many records these days. I listen to music every day, usually on my iPhone, occasionally on my small system at home. But, it has become the rare day when I have the time to play an LP and I miss the sound, the life and the pure joy of it. I’m sure the suspension on that old Sumiko has gotten a little dry and hard, but it still sounds great. Someday I may have to replace that cartridge but I don’t want to…

It was set up by the all-time master of analog, Brooks Berdan, and I’m proud to say he was a friend of mine.

The Legacy of my friend, Brooks Berdan: My REGA P3 / Sumiko Blue Point Special EVO